![]() En plus, it seemed to be raining all the time in Blade Runner. The Man in the High Castle was a novel about a parallel or alternate past, constructed meticulously out of coin tosses at the I Ching. It seems Bolaño’s future is more future than this future, and it may well be that La Jetée’s is even further out and farther in. On every bunk, there is at least one book, such as JG Ballard’s The Drowned World, Jeff Noon’s Vurt, Philip K Dick’s The Man in the High Castle, but also Jorge Luis Borges’s Ficciones and Roberto Bolaño’s 2666. On the beds are books saved from the damp and treated to prevent the pages from going moldy and disintegrating. Fragments of Solaris, Fahrenheit 451, and Planet of the Apes are mixed with more abstract sequences such as Johanna Vaude’s L’Oeil Sauvage but also images from Chris Marker’s La Jetée. Here is an excerpt:Ī giant screen shows a strange film, which seems to be as much experimental cinema as science fiction. ![]() We are reminded even of a haunting song: “Lost Rivers of London,” by the late great COIL. We like the choice of films and novels offered to the soaked inhabitants of this London to come. The Tate Modern has published an article from the future (about a current exhibit) called “TH.2058” by Dominique Gonzales-Foerster,* dated October 2058. TH.2058 at the Tate Modern - Unilever Series
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